Hello Everyone! First off I'd like to thank Switch for the opportunity to post on Phantom River Stone and to share this with you all!
This is going to be the first in a series of posts examining Bailu Village in detail. Shenmue 3 depicts Shenhua's childhood home as an idyllic, rural, mountain community with a long history; one in which just about everyone knows everyone else, and nothing much changes day to day. It's a small wonder then that the coinciding events of the attacks on the village stonemasons and the arrival of Ryo Hazuki is of such keen (if wary at first) interest to just about everybody.
One of the key features that made Shenmue so distinct when it first released was the fact that Ryo could talk to every NPC he came across. These NPCs often had unique ways of responding to Ryo that made them feel like real people with lives beyond their relevance to Ryo's journey. Shenmue 3 by and large continues this tradition. In Bailu alone every villager that Ryo can speak to (which is the vast majority of them) seems to have a unique response to almost every single topic of investigation. Often these unique responses shed light on the villagers themselves, their relationships with each other, and their life aspirations.
In addition to conversing with the locals themselves, a number of physical locations throughout the village reveal even more details about its inhabitants; some of which are very easy to miss on a standard play through. It is these locations that I'm going to focus on starting today with Man Yuan Temple – and in particular the racks of wooden wishing plaques, known as
ema, inside.
The History of Ema
The tradition of hanging prayer ema is actually a Japanese custom with historical roots in Shintoism. In the Nara period in Japan (AD 710 – 794) worshipers would donate horses as offerings to shrines in the hope that since the horse was revered as the vehicle of the gods (kami), the kami would be more likely to listen and answer the worshipers' prayers. Horses were prohibitively expensive for most Japanese people of that era however, and over time clay and wooden sculptures came to be used. These sculptures in turn evolved into wooden plaques with a picture (e) of a horse (ma).
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